Creating a Book Launch: Reflection

It's been a week since I launched The Purple Door District. It's hard to believe that it's over already after so many months of work. I've had people ask what went well, what didn't, what would I like to change, and so on and so forth. After some reflection, I thought I'd share a few tidbits for anyone else who's preparing to launch their book. As I say in many of my posts, these are just ideas and not the true method. What works for me may not work for you, but it may give you a place to start. 

To make this a little easier, I'm going to divide this into three sections: what I did, what worked and didn't work, and what I'd do next time. 

Warning: This is going to be a long one! 

What I did: 

  • Indie Publishing: I gave myself 6 months to launch my book so I could build up an audience and get my social media platforms off the ground. Keep in mind, I was mostly starting from scratch. I had Facebook and Wattpad, and I had just started on patreon, but that was about it. I decided to go the indie publishing route, which meant I had to do all my marketing by myself, hence the six months of preparation. 

  • Cover reveal: I revealed the cover of the book about a month in so that it, and the title, could get out and attract attention.

  • Social Media: I started building up my social media. Twitter and Facebook brought the most people to my website (according to the analytics). I also created an Instagram account. I bounced back and forth between these three, and featured special topics on Instagram like my Book Love Tour, author interviews, and blog entries. I created a schedule for myself to write a blog post every week, which I've managed for a few months now. When I got closer to the book release, I created a Goodreads and Bookbub account, per the suggestions of other authors. Through all the social media sites, I worked to build my audience and find fellow writers who might be interested in the book, and who I could help. 

  • Website: I developed my own author website to host information about my books, author interviews, my literary projects, details about the community, my volunteer work, etc. Basically my website is a one-stop shop for anyone who wants to know about me and my work. You can find all my social media through it. 

  • Patreon: In December 2017, before I even decided to publish PDD, I started posting a chapter or two every month. This meant I had early readers and got a few people interested in the book. I intend to do the same thing with PDD 2. 

  • Interviews: Through Facebook, Instagram, and Twitter, I found people willing to do interviews with me to help promote my book. I worked to space them out over the months so there was always something fresh for people to read. In the same vein, I interviewed other authors to show them support. It's been a lot of fun getting to meet so many different people. 

  • Libraries/bookstores: I started contacting libraries and bookstores who might be interested in carrying my book. In the end, I had three bookstores in the local area who wanted them, and another in the works. Libraries are a little more reluctant to take in indie-published books, but I did manage to get a couple to agree to carry the novel. 

  • Press: I wrote press releases for my book launch in hopes that it would help bring more people to the event and also share the news about the novel to more people. 

  • Swag: I developed some of my own swag and also brought on people to create art, necklaces, and sand bottles for my book. My intent was to give them support while also helping to promote PDD. It was a lot of money, but the results spoke volumes. 

  • Indiegogo Campaign: Indie publishing is not easy, as many of you probably already know. I started up an Indiegogo Campaign to try to offset some of the costs. I spread it out over a month, aiming to gain $4,000. 

  • Book Launch Location: I picked a special location for my book launch. The Makers' Loft seemed like a fitting place because it is all about representing indie artists. It has a great space, and it is still new and starting out, so I wanted to bring publicity there as well. Plus, their marketing team is really good. I'm really glad I chose it. 

  • Giveaways:  I did several giveaways over the course of the 6 months. In the beginning, I was just offering swag as gifts (necklaces, posters, etc) because the book wasn't done. Then I started giving away the e-book, and finally I offered up the published book in bigger contests that ended up helping me build my newsletter. 

  • Newsletter: I developed a newsletter to keep people updated on what I'm working on. It helped me keep people interested and connected me with my readers more. 

  • ARC: I gave out advanced reader copies to people I knew would finish the book and provide reviews on Goodreads, and later Amazon. I hoped that the numbers would get me closer to the 50 count which triggers Amazon to start promoting your book. 

  • Paid Ads: I spent a little money on ads for the newspaper, Facebook, Bookbub, and I think a couple of other places to garner attention. 

  • Connections: I worked with my author connections to gain more information about how to launch my book. I also got PDD out word-of-mouth and developed a street team to help me share information about the book around social media platforms. 

  • Signings: I set up two signings on the day of the book launch, as well as several others in the future so people would know right away where to find me if they couldn't make it to the actual launch. 

What Worked/ What Didn't 

  • Indie Publishing: I'm actually really glad I went this route. I've learned a lot about indie publishing over the past six months, and I now have a better idea of what I'd do in the future. It costs a lot, I'm not going to lie, but you have a lot of freedom that you may not have with publishers. 

  • Cover reveal: This was a great way to gain attention. I found an amazing artist who really hit the nail on the head. People loved the cover, and that kept bringing an audience back to me. Or at least made people pause when they scrolled through it. Cover reveals are great media pieces, especially if you have an incredible artist. Start it early, and get your name out there. 

  • Social Media: I probably made my social media life a lot harder than it needed to be. Facebook and Twitter both brought people over to my website. Whether that will lead to sales remains to be seen at this point. It's something you definitely need to do to keep up your audience, but the amount of social media presence is really up to you. I think Facebook, Twitter, and Instagram get me my best audience. Wattpad and patreon fall a bit more to the wayside. At the very least, this is a great way to gain connections and find out about other signings, and bond with writers and readers. Recently, my blog posts have started to gain more attention. 

  • Website: A must have. I spent more on this than I had anticipated, but it's worth the cost. I have a store where I can sell my books. And it's a one-stop-shop for everyone. If I only have one piece of social media to offer up, this is definitely the one I give. I update it every week, too, and that seems to keep the numbers up. 

  • Patreon: To be honest, Patreon is not one of my successes. It's gone well for other writers, but I've really struggled with gaining an audience. I'm hoping that now PDD 1 is out, that'll bring more people in for PDD 2. Part of me wants to give it up completely, but I still think there's worth in it. If anything, it keeps me on task because I have to post something every 15th of the month. 

  • Interviews: This was a big help. Interviews introduced me to new readers and audiences. They made people see that I'm very much a human, and they got to know me and my view of working as a community. I would say get as many interviews as possible, and research if there's a good response turn out for that interviewer's blog.  

  • Libraries/bookstores: I didn't have as much success as I would have liked, but I don't think I tried as hard as I could have. I'm still reaching out to bookstores and libraries, but I'm finding that they prefer to agree to carry your book once it's printed. That being said, I did just receive my first paycheck from one of the bookstores! 

  • Press: This was a dud, but that was my fault. I did reach out to newspapers, but I neglected to reach out to tv and radio stations. I think I just ran out of time, which was an issue. I sent press releases to four local papers and only had one respond. 

  • Swag: While this turned out to be a lot of money, the swag really caught people's attention. When I couldn't give out the book because it was still in progress, I could at least offer bookmarks, jewelry, and other items. They were all very eye catching, and they've served to help bolster the world of PDD alongside the book. 

  • Indiegogo Campaign: The campaign enabled me to pay for my first shipment of books, but it definitely didn't land where I expected. There are a lot of ways in which I would improve on it (more below). 

  • Book Launch Location: The location was really great. The only downside is the website has slightly confusing directions, so some people got lost, but they still managed to show up. I had at least 30 people stop by in a 2-hour time frame. 

  • Giveaways:  On one hand, not many people participated in the giveaways. It almost felt like, what was the point? On the other hand, the people who won were ecstatic and let me know about it, and that felt wonderful. 

  • Newsletter: I suck at newsletters, hah! This is still a work in progress! Now that I have about 250 people, I'm hoping that will lead to some sales.  

  • ARC: Definitely glad I did this. My ARC folks came through for me and helped me get several reviews both on amazon and goodreads. I'm talking with even more people about doing reviews, so I hope my #questto50 makes it on amazon. 

  • Paid Ads: Honestly, I don't think these were worth the money. Unless you're willing to spend $100s of dollars, I don't think they give you much turn out. 

  • Connections/Signings: Personal connections with people and in-person signings definitely were great successes. I've met so many incredible people over the last six months, and many also ended up buying my book to show their support. I did the same for their books as well. The biggest success came from working with the community. They always say you should build an audience, but I'd much rather build up true connections with people and have us help each other. Rising Tide, as Brian K Morris says. 

What I'd Do Differently

  • Press: I would reach out to more press outlets about my book. One suggestion an author made to me was to send formal invitations to newspapers, tv, and radio stations. If you can get a big star to come, that's something you can talk about and attract more people. I'd also write more press releases to introduce my book. 

  • Indiegogo Campaign: If I did this again, I'd give myself two months instead of one to raise the money. One month wasn't enough. I would also promote it more, and likely do that through press news. My tiers would be more reasonable as well. I wish I could have given out more stuff to people, but I was still in the early stages. 

  • Relevant Signings: I'm working on this now, but I would have set up a signing in Chicago right off the bat. The book is set in Chicago, after all. I should have reached out to Chicago bookstores and media as well. 

  • ARC: I would find more ARC readers for the book. I've received many incredible reviews (thank you, everyone!) But getting more reviews right away would be helpful. 

  • Time/Self-Care: Give myself more time to breathe. During the six months, I thought I was going to lose my mind. There were plenty of tears and nights where I felt like I couldn't do this, and that I'd turn into a failure. It was because I wasn't taking care of myself. I wasn't sleeping. I wasn't eating well. There were other factors that made self-care difficult, but the book launch was one of those major stresses in my life that I'm both happy and sad is over. I'd definitely give myself a day (at least) every week where I didn't work on anything. 

I told you, this was going to be a long one. Overall, I think the book launch was a big success. In 7 days, I sold about 70 books, and I have interviews and signings coming up over the next few months. I'm working to attend bigger conventions that might bring more attention to my book, and to me as an author. Maybe I'll even find an agent to represent me for the other stacks of books I have waiting in the wings. 

As a final note, I want to again thank everyone who has supported me through this journey. You all are incredible and I can't thank you enough. 

As always, if you have a topic you'd like me to discuss, post it below! 

Happy writing! 

The Joys and Woes of Writing

About a week ago, I reached out to #writingcommunity on twitter and asked people what was the best and worst thing about being a writer. The answers were mixed, but there was definitely a theme that I could relate with. (You can find the original thread here). 

Best Thing About Being a Writer

  • Getting lost in the world I've created

  • Watching my characters deal with the world and events I throw at them. 

  • Meeting other writers and hanging out with them

  • Creating worlds and characters and watching them develop

  • Living vicariously through a character

  • Writing is magic and creativity is joy 

  • Having people who "get" you

  • Feeling like this is exactly what I'm meant to do in life. 

Worst Thing About Being a Writer

  • Separating honest feedback from the trolls

  • Being asked, "How much do you earn from your writing" or "How many books have you published?" 

  • Having to do so much of the process alone

  • Writing is solitary 

  • Feeling I have no idea what I'm doing and wanting to give up

  • Fearing that my story is terrible

  • No immediate rewards, payments, or feedback

  • Feeling isolated and unmotivated 

  • Fearing Failure

  • Isolating

  • Fearing Failure

  • Isolating

I think you can notice a theme with the "worst" thing. For many, writing is an isolating craft. You create characters and a world from your head, put it all down on paper, huddle with a computer and a notepad to develop your story...it's hard not to feel alone. At the same time, we fear what happens when we offer our work to people through way of editing or publishing. Will they provide honest feedback? Will they hate it? Will they review it at all? How dare we bare our soul to the world? 

It's often said that we are our own worst critics, and I think we can see that in the list above. We're so afraid of failure and how our story isn't good enough. We beat ourselves down, thinking we can never amount to the other authors out there. It's a heartbreaking feeling, and it sometimes keeps writers from putting pen to paper or fingers to keyboard. Some people stop all together because of that insurmountable feeling that they're not good enough. 

But, on the flip side, look at all the amazing things that come out of writing. When you meet other creative minds, it's wonderful to develop a community where you can support each other. As I write this, I'm with The Rainbow Room of The Writers' Rooms, an LGBT writing group. I've met incredible people through the Rooms, through twitter, instagram, facebook, etc. There's a community out there for you, you just have to find the right one. If anything, start with #writingcommunity on twitter.  

Writing also allows you to let your creative juices flow into the creation of worlds, characters, magic systems, alien races, and more. How amazing is that? You get to develop this thing that you can call your very own! I often read books to escape reality and stresses of the day. Writing (usually) lets me do the same thing, provided I'm not ready to throw the book out the window. That's special, and you should feel proud of the things you develop. Yes, first drafts suck. Yes, we all need and editor. But in the end, you take nothing and make something incredible; be proud! 

Writing, as with all things, can have its drawbacks, but if we focus only on the negative, then we miss the good things that come with it. So to those of you struggling and wondering if you're good enough or if you're the only one who feels alone...there are others out there who feel exactly the same way. You aren't alone. And I hope you find the courage to pick up that pen or open up that laptop and share your story with the world. Because you deserve to be heard. 

Brace Yourselves: #PItmad is Coming

That's right all you literary hopefuls, #pitmad is just around the corner! But what exactly is #pitmad, and how do you participate? I thought I'd give you a run down and suggestions while I also furiously scribble out pitches for the event. 

#Pitmad is a quarterly pitch party where writers tweet a 280-character pitch for their finished manuscripts. Agents and editors will be scouring twitter and liking/favoring tweeted pitches that catch their attention. If they like your tweet, that means they want you to query your book to them. Yes, this is a real thing. People have landed agents and editors this way! 

Some things to keep in mind: 

  • Make sure your manuscript is complete. This event is for people who are ready to query their books (query letter, manuscript, synopsis and all). If you can't participate on December 6th (8am-8pm EST), don't worry! The next one is March 7th. 

  • Don't favorite other friends' tweets, because that's how agents communicate with the authors. If you want to support your friend, retweet their post! 

  • Include #pitmad and an age category to help the agents better find your work. 

  • You can pitch more than one manuscript, but each manuscript only gets three pitches for the whole day, so space them out. 

  • If an agent or editor likes your tweet, make sure to research them to ensure it's someone you want to represent you. 

For more information, check the official website

But what is a pitch, you might ask? It's basically a summary of your story in 280 characters. That's right, that huge manuscript you wrote? You need to tell us the most important things about it in a sentence or two. 

And you thought writing a synopsis was hard. 

Writing the perfect pitch can seem impossible, which is why you should check out Amelie Zhao's blog post How to Write a Killer Twitter Pitch. She gives excellent examples of pitches that caught an agent's attention, including her own during #dvpitch. 

A few tips to keep in mind are: 

  • Introduce a protagonist and antagonist.

  • Explain what's at stake. 

  • Add in what makes your pitch/story unique. 

  • Show your personality. 

  • Think of comps, or books that are similar to yours to show you know what kind of audience your book will attract. 

  • Test your pitch out on other people. 

Amelie breaks this down into even more detail, but this list can help you get started. Also, don't get discouraged if you don't get chosen. Thousands of people are pitching at the same time, and agents have to sift through everyone. That's why it's so important to make your pitch unique and eye-catching (and I don't mean by using images). 

If you're doing #pitmad, give a shout out below, and feel free to practice your pitch! 

Good luck and happy writing! 

Traditional Publishing 101

Ever since finishing two of my books, I've had to ask the tough question of whether I want to go indie or traditional with publishing. Well, I don't like making decisions, so I decided to be a hybrid. While I'm indie publishing The Purple Door District in December, I'm also trying to go the traditional route with my other book Dragon Steal

But what does it take to publish a book traditionally? I had a friend ask me this question recently, so I thought I'd toss up my own thoughts on the whole process. Keep in mind, this is just based on what I've learned through my own journey and studies. If you have advice about publishing, feel free to post it down below. 

Warning! This is going to be a longer topic. I originally wrote this for The Writers’ Rooms, and I’ve expanded upon it for my readers here.

Pros and Cons of Traditional Publishing

  • They know their stuff. Traditional publishers are in the business, so they know how to get the job done. They have a team of people who can do all the little fiddly bits (covers, back matter, editing, marketing, legalese, rights, taxes…) so you don’t have to do it on your own. It saves you a huge headache. 

  • Legitimacy. Because of the gatekeepers, people know that if a book is good enough to be published traditionally there’s a certain expectation of quality--or at least of whatever quality the publishing house is known for. (Note: this does not mean that indie publishing is not legitimate. There's still a stigma against self-publishing, but it's dissipating day by day).  

  • Marketing. You don't have to do your marketing alone! A team will help you, though you will still be expected to market your story somewhat. 

  • But… They take whatever they think is marketable. This can mean a distinct lack of freedom for your writing, since they’re less likely to take “risky” work.

  • But… Publishers are ultimately in it for the money, and will drop writers for the slightest reasons. Even well-established, upper-mid-range authors will find themselves struggling sometimes. Or, a publishing house could drop an author partway through their series and battle over the legal rights of the original books. 

  • But...It takes FOREVER to publish your book. For YA, sometimes a book that’s acquired doesn’t come out for two years. By then, the hot market could have moved on and you'll have missed your "hot topic" window. 

First Step: Query Letter, Pitch, and Synopsis

  • Query Letter: This is essentially a sales pitch to an agent to get them interested in your book. It’s a brief piece that describes the story, provides word count, relates the book to other familiar genres/books, and gives a little background about the author. This is often one of the hardest things to write asides from your story. Make sure you find a good guideline example to follow and adhere to anything an agent requests in the query letter. You can check out my blog post all about writing query letters here

  • Pitch: The pitch is your elevator speech. You want to wow the agent, editor, publisher with a 5-second pitch, 30-second pitch, or 1-minute pitch. Think of it as 1 sentence, 2 sentences, and a paragraph about your story. Throw in something unique that is going to catch the listener’s attention. A great way to get practice is by participating in pitmad on twitter, which happens quarterly. You put your pitch on twitter at the same time agents and publishers are looking for the "next best thing." If they like your tweet (or contact you directly), it means they're interested in your piece! The next one is on December 6th, so get those pitches ready! 

  • Synopsis: Your synopsis is basically a long summary of your story. In about two pages, double spaced, you have to introduce the agent to your protagonists, antagonists, your world, your plot, and everything that's unique about the story. This includes (gasp) the ending! They want to hear it in your voice, not just a simple retelling. This piece is vital, because it may make your break your chance at getting to talk to an agent. If you're interested, I can write a blog post about constructing a synopsis. Let me know below! 

Additional Resources:  

Tactful Ways to Say Awkward Things in Your Query Letter, Medium.com

The 10 Dos and Don’ts of Writing a Query Letter, Writer’s Digest

7 Tips for Pitching to an Agent or Editor at a Conference, Writer’s Digest

Step Two: Finding an Agent/Publisher/Editor

  • Research: Look for Agents who are requesting your genre. One easy way to do this is to find out the agents of some of your favorite books that are similar to yours. Books like “Guide to Literary Agents 2018” can help you not only find agents, but develop your query letter too. Don’t just query to a random agent. They need to be looking for the thing you’re selling. You can also check out Query Tracker to see what agents are looking for. Once you do find an agent, model your sample chapters, query, and pitch to their standards. Also, by no means should an agent ask for money up front (but we'll get into that in the red flags section). 

  • Response: Response time can take a very long time, even 6-months to a year. You can query to multiple agents, but if an agent accepts you, you’re responsible for letting other inquiring agents know that you’ve accepted an offer. Typically, if an agent is interested, they’ll request a few chapters or the full copy of your book. Query Tracker is great with indicating response time for agents as well. 

  • Rejection: Everyone is going to get rejected at least once. J.K. Rowling was rejected by multiple agents before she found one. If a rejection says something more than, “I’m not interested,” consider that a success, because it means the agent thought enough about the story to write you a longer response. If you want a better idea what it means to receive rejections, take a look at my blog post here. It might help you out a bit. 

  • Acceptance: When an agent accepts your piece, it’s up to the agent to take the book to an editor and a publisher. She will try to sell the book to a publisher through an act called acquiring. Once a publishing house accepts it, the agent, publishing house, and editors will work with you to perfect your book. Keep in mind, an editor may require heavy changes to your book, so be open minded.

Additional Resources:

Guide to Literary Agents, Writer’s Digest

Step Three: Contracts

  • Contracts: A book contract is a legal-binding agreement between the author and the book publisher that outlines rights, obligations, and money earned. In a traditional agreement, the author retains the copyright and the publisher purchases the right to distribute the book in many forms (paper/ebook/audio, etc). The contract is usually dictated by the the literary agent on behalf of the author. Make sure you get everything on paper and you retain the rights to your book.

Things to Consider About Contracts

  • Rights: How long do they keep rights to publish your book? Is it for a year or several? Will they relinquish the rights to your book if their company goes down?

  • Series: Is your contract for a single book? Is it for a series? Will they reprint your previous books when the new series comes out? Do they have the right to cancel the contract halfway through the series?

  • Non-Compete Clause: This clause says that the author can’t write another book with the same subject or name during the life of the contract. While this may not matter to you, it’s something to keep in mind.

Additional Resources:

What is a Book Contract?, The Balance

Five Publishing Contracts Red Flags, Alina Popescu Writer

Red Flags in Traditional Publishing

  • Contract Publisher Retains Rights: Sometimes when a publishing company likes the idea of your book, and has had a similar one already suggested, they may ask you to write the piece, but all rights remain with the publishing company. If you’re more interested in royalties than having your name credited to you, this is fine, but if you want to retain rights to the book, this is something to watch out for during the contract phase.

  • Publisher Requires Money to Publish Book: Back away. You should not have to pay the publisher to publish your book. You should receive royalties, and you will work with a literary agent to figure that out.

  • Literary Agent Who Charges Upfront: Literary agents do not receive payment until the book is published. They will receive a portion of the book sales.

  • Promised Publication: Some websites will promise to publish poetry, books, essays, etc. if they’re submitted to the site. These are generally not places you want to submit your work to. While they might, indeed, publish it, they will ask you to pay for a physical copy of the piece and will publish it to other locations.

  • Agent/Artist/Editor Problems: Sometimes the relationship between the author and the agent, artist, or editor does not work. Authors have pulled back from agents before because either the agent failed to uphold their end, or the relationship just was not positive. Some artists who design covers may not have the author’s best interest in mind and may produce work that does not jive with the book. On the flip side, an author may express distaste in a book cover that the artist created (I'm looking at you Terry Goodkind), but the publisher will print the book anyway. And sometimes authors and editors bump heads. Do what’s best for you and your book.

After that, you will work with the marketing team to get your book out in bookstores and in libraries. You'll set up tour dates to do readings and signings. Interviews both online and on television will become your new best friends. But keep in mind, the marketing team won't do all of the marketing. You'll have to do some of it yourself. For more tips on marketing, check out my post here

Like I said, this was going to be a long one. Hopefully it'll help get you started on your path to publishing your book. And if you're going to try out for pitmad, let me know! I'd love to cheer you on. 

Happy writing! 

Marketing 101

After months of writing blog posts, I've come to realize that many authors agree on one thing; they hate marketing their books. I can understand why. Marketing isn't an easy job. You spend all of your time and energy writing an amazing book, and still there's so much work to do after that to ensure that your baby makes it into the world. 

I'm by no means an expert when it comes to marketing, but I've learned a few tricks through my own experiences and also reading articles/blogs from experts in the field. I would definitely suggest looking into Jenn DePaula of Mixtus Media. She's actually running a sale on her Book Marketing Foundations class. Also, check out Alexa Bigwarfe from Write. Publish, Sell who also provides valuable information and courses in marketing.

  • Build a Community: Whether this is through social media, readings and signings, conventions, or gushing over a book, make connections with writers and readers in your genre. Building connections helps open you to other opportunities in the literary world, like signings you never heard about. It's also just nice to make new friends. Try to focus on those in your genre because they will be the people you sell to later. It's better to have a smaller group of interested people than a large group of followers who won't take a second look at your book. 

  • Social Media: As much as some people hate it, social media is important. It's how your readers get to know you. You can share information about your story or your everyday life. Keep in mind, you don't have to do all social venues. Pick the ones that work well for you. Maybe update a blog every week, or keep a twitter account active. Don't try to do everything, otherwise you might become overwhelmed. Just make sure people have a place to find you, buy your book, and learn more about you. Readers want to feel connected with the author. 

  • Author Website: Going along with social media, you want to be able to market your book through an author website. You can get one for free through Wordpress, or you can spend a little money on it through sites like squarespace. Here's mine for example.  Make it unique. Make it you. The best thing about this is you can store all of your social media links, your appearances, your purchase links, etc in one location. And if working on a lot of social media platforms is too daunting, this is a good place to focus your attention. 

  • Author Signings: As much as we would like to stay behind the computer screen, it's important to participate in author signings. An author named Alexandra Penn says she sells most of her books through in-person signings. To prepare for it, have your elevator pitch ready. Know how to explain your book in 30 seconds or two sentences so you can keep the people engaged. Decorate your table to make it eye catching. Also, consider holding raffles or special sales at in-person signings. It might attract more attention. 

  • Swag: Seriously, people love swag. Bookmarks especially tend to go over well with people because they have a dual use. Character stickers, postcards, small journals, key chains, etc. All of these things can be used to promote your book. You can either make the items yourself or enlist others to help you like Sarah Cunningham who made a lot of my swag.

  • Press Releases: When your book is about to come out (or even if it is out), it doesn't  hurt to write a press release and send it in to your local newspaper, radio show, or tv station. Contact your local newspaper company (or go on their website) to find out where to send a press release. 

  • Interviews: Look for authors or bloggers who are hosting interviews of other authors. This is your chance to talk about your book and introduce yourself to your readers. If you have a book coming out, make sure you get some interviews out around that same time. I host author interviews on my own website here

These are just a few ideas to get you started. If you have any marketing tips, please feel free to post them down below! 

Cheers!

Erin